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Order flowers for Norman's Visitation. Chambers in Britain c. Catch wrestling derives from various different international styles of wrestling : several English styles primarily Lancashire , [2] as well as Cumberland and Westmorland wrestling [3] and Devonshire [3] , Indian pehlwani , [4] and Irish collar-and-elbow wrestling.

The training of some modern submission wrestlers , professional wrestlers and mixed martial artists is founded in catch wrestling. Professional wrestling has its origins in catch wrestling exhibitions at carnivals where predetermined "worked" matches had elements of performing arts introduced as well as striking and acrobatic maneuvers , turning it into an entertainment spectacle.

In , John Graham Chambers , of aquatic and pedestrian celebrity, and sometime editor of Land and Water , endeavoured to introduce and promote a new system of wrestling at Little Bridge Grounds, West Brompton , which he denominated, "The Catch-as-catch-can Style.

This new departure was the forerunner of the total abolition of the sport at that athletic, and within a short period the wrestling , as an item in the programme.

Various promoters of the exercise, notably J. Wannop, of New Cross, attempted to bring the new system prominently before the public, with the view of amalgamating the three English styles viz.

Wrestling on the "catch-as-catch-can" principle was new to many spectators, but it was generally approved of as a great step in advance of the loose-hold system, which includes struggling on the ground and sundry objectionable tactics, such as catching hold of the legs, twisting arms, dislocating fingers, and other items of attack and defence peculiar to Lancashire wrestling.

When catch wrestling reached the United States in the late 19th and early 20th century it became extremely popular with the wrestlers of the carnivals.

The carnival's wrestlers challenged the locals as part of the carnival's "athletic show" and the locals had their chance to win a cash reward if they could defeat the carnival's strongman by a pin or a submission.

Eventually, the carnival's wrestlers began preparing for the worst kind of unarmed assault and aiming to end the wrestling match with any tough local quickly and decisively via submission.

A hook was a technical submission which could end a match within seconds. By the s, most catch wrestling competitions had become predetermined professional wrestling.

The English term "catch as catch can" is generally understood to mean "catch a hold anywhere you can". As this implies, the rules of catch wrestling were more open than the earlier Folk styles it was based on, as well as its French Greco-Roman counterpart, which did not allow holds below the waist.

Catch wrestlers can win a match by either submission or pin, and most matches are contested as the best two of three falls, with a maximum length of an hour.

Often, but not always, the chokehold was barred. Other fouls like fish-hooking and eye-gouging which were called "rips" or "ripping" were always forbidden.

Despite the end of ITV coverage, a largely untelevised live circuit — with some promotions featuring the traditional British style of professional wrestling and others more fashioned after the contemporary American independent scene — survives and indeed thrives in this territory to the present day.

At the start of the 20th century, wrestling was introduced to the public as part of a variety act to spice up the limited action involved in the bodybuilder strongman attractions.

One of its earliest stars was a Cornish — American ex— miner named Jack Carkeek , who would challenge audience members to last ten minutes with him in the ring.

The development of wrestling within the UK brought legitimate Greco—Roman grappler Georg Hackenschmidt who was born in the Russian Empire to the country, where he would quickly associate himself with promoter and entrepreneur Charles B.

Cochran took Hackenschmidt under his wing and booked him into a match in which Hackenschmidt defeated another top British wrestler, Tom Cannon , for the European Greco-Roman Heavyweight Championship.

This win gave Hackenschmidt a credible claim to the world title, cemented in with a win over American Heavyweight Champion Tom Jenkins in the United States.

Noting Hackenschmidt's legitimately dominant style of wrestling threatened to kill crowd interest, Cochran persuaded Hackenschmidt to learn showmanship from Cannon and wrestle many of his matches for entertainment rather than sport; this displayed the future elements of " sports entertainment ".

Numerous big name stars came and went during the early inception of wrestling within the UK, with many, like Hackenschmidt, leaving for the US.

The resulting loss of big name stars sent the business into decline before the outbreak of World War I in halted it completely.

While various styles of amateur wrestling continued as legitimate sports, grappling as a promotional business did not return to Britain until the beginning of the s when the success of the more worked aspects of professional wrestling in America, like gimmickry and showmanship, were introduced to British wrestling.

It was with this revival that the more submission —based Catch As Catch Can wrestling style, which had already replaced Greco Roman wrestling as the dominant style of professional wrestling in the United States back in the s, became the new dominant style in Britain.

With Lancashire catch-as-catch-can already a major amateur sport particularly in Northern England, there existed a ready-made source of potential recruits to professional wrestling.

Amateur wrestler, Sir Atholl Oakley got together with fellow grappler Henry Irslinger to launch one of the first promotions to employ the new style of wrestling which was coined "All—in" wrestling.

Though, like many wrestlers throughout the business, Oakley would claim his wrestling was entirely legitimate, his claim was highly dubious.

The business was reaching one of its highest points at the time, with the best part of forty regular venues in London alone.

The great demand for wrestling, however, meant there were not enough skilled amateurs to go around, and many promoters switched to more violent styles , with weapons and chairshots part of the proceedings.

Women wrestlers and mud-filled rings also became common place. In the late s, the London County Council banned professional wrestling, leaving the business in rough shape just before World War II.

After the war, attempts to relaunch the business in failed to catch on with journalists who condemned the gimmickry calling the show fake.

The revelation of this, and the general chaos which had surrounded All In Wrestling prior to the War, prompted Admiral Lord Mountevans , a fan of the sport, to get together with Commander Campbell a member of the popular " The Brains Trust " radio panel show , member of parliament Maurice Webb and Olympic wrestler Norman Morell to create a committee to produce official rules for wrestling.

These rules became known as Admiral-Lord Mountevans rules. The most notable action of the committee was to create seven formal weight divisions, calling for champions to be crowned at each weight.

These weight divisions included lightweight pound limit , welterweight , middleweight , heavy middleweight , light heavyweight , mid heavyweight , and heavyweight.

Many of these rules diverged heavily from those in used in American Wrestling — five-minute rounds three minutes for title matches , two public warnings for rule breaking before a disqualification, "knockouts" countouts and disqualifications counting as automatic two falls in best of three falls matches which were predominant , and no follow-up moves allowed on a grounded opponent.

The existence of the committee was readily acknowledged by promoters who used its existence to counter any accusations of wrongdoings within the business.

It was the promoters themselves, however, who revolutionized the business. During this time, under the guise of an alliance of promoters attempting to regulate the sport and uphold the committee's ideas, the promoters created a cartel based on America's National Wrestling Alliance territory system that was designed to carve up control of the business among a handful of promoters—which it did in under the name of Joint Promotions.

By agreeing to rotate talent and block out rival promoters, Joint Promotions was soon running 40 shows a week, while leaving wrestlers with little bargaining power.

Other promoters were not so successful. The closure of Harringay Arena in was the last straw for Atholl Oakley, and Joint Promotions were the only major player left to benefit when Chancellor Peter Thorneycroft abolished the entertainment tax in the budget.

One of Joint Promotions' first moves was establishing and controlling the championships called for by the Mountevans' committee.

At first, this proved a profitable venture, with title matches leading to raised ticket prices. However, perhaps inevitably, attempts to extend this success by bringing in additional titles led to overexposure.

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